KEA Productions: DVD Movie Reviews

from the archives of NuReel.com, The Berkeley Daily Planet, and Alameda Sun- written by Kamala Appel
ratings: Plus (highest)-Neutral (okay)-Negatives (pass & omitted from archive)
L: Legally Blonde, Life as a House, Lisa Picard is Famous, Little Voice, Little Nicky. LOTR

LEGALLY BLONDE (neutral/plus)

   
As I sat in the theater waiting for "Legally Blonde" to start, I must admit that I had somewhat low expectations. I thought the film would be host to a few stereotypical cheap shots and a lot of stupid grammar school level jokes. To my surprise, I found "Legally Blonde" quite entertaining and rather clever at times.

I would describe the film as "Clueless" meets "Forrest Gump" because the story revolves around a somewhat dippy, superficial, "blonde with big boobs" (as the character describes herself) sorority princess who manages to swing acceptance into Harvard Law School. I must admit that I found her motivation and the reason for her admission somewhat disturbing because on one level it promoted the helpless female stereotype, however the overall film supports the idea of self-worth and a positive attitude towards female independence. Although the main character, Elle Woods, played by Reese Witherspoon, does spend much of her time trying to win back her boyfriend so he will marry her, she also spends a lot of time befriending a middle-aged woman and helping her to realize that she is attractive too, even though she is overweight and over forty. I have not seen a lot of movies out of Hollywood that support the notion that women over forty being desirable, so I found this element of the story and character development refreshing . Unfortunately, the film does resort to a cliche happily ever after ending that lessens the underlying feminist tone, but I suppose the liberation from twenty minutes into the film until the final five minutes makes up for the sell-out ending.

"Legally Blonde" possesses the clever self-reflexive humor that made "Clueless" a smash hit. Reese Witherspoon as Elle Woods portrays the simple innocent whose dumb luck makes audiences cheer for and laugh with her, in a manner reminiscent of Tom Hanks as Forrest Gump. There are a few funny but overtly sexual lines that some parents may not want children under fourteen to see. "Legally Blonde" opens wide July 13th. This film would be equally enjoyable on video because its strength is the witty script and Reese Witherspoon's comic performance.
 

LIFE AS A HOUSE (NEUTRAL/PLUS)

  
The race for the Academy Award begins with LIFE AS A HOUSE, however, I doubt that this film will finish in the top five. The creative forces in front and behind the camera just scream out Oscar, unfortunately, the effort does not match the accomplishment. Irwin Winkler, the director and/or producer behind so many award winning and box office success stories including ROCKY, RAGING BULL, THE RIGHT STUFF and GOODFELLAS, directs a cast of some of today's most talented actors and rising stars.

The cast includes Kevin Kline (A FISH CALLED WANDA, IN AND OUT, SOPHIE'S CHOICE, THE BIG CHILL, and THE ANNIVERSARY PARTY), Kristin Scott Thomas (THE ENGLISH PATIENT, THE HORSE WHISPERER, ANGELS & INSECTS, RICHARD III, and FOUR WEDDINGS AND A FUNERAL), Hayden Christensen (VIRGIN SUICIDES and upcoming STAR WARS EPISODE II), Jena Malone (STEPMOM, CONTACT and upcoming DONNIE DARKO), Mary Steenburgen (WHAT'S EATING GILBERT GRAPE, PHILADELPHIA, NIXON, RAGTIME, and PARENTHOOD), Jamey Sheridan (A STRANGER AMONG US and television's CHICAGO HOPE), Sam Robards (A.I.: ArtificialIntelligence, AMERICAN BEAUTY, and television's SPIN CITY), and Scott Bakula (LORD OF ILLUSIONS, MI FAMILIA, and television's QUANTUM LEAP, MURPHY BROWN, and ENTERPRISE). As one would expect, the entire cast proves worthy of their reputation by giving strong performances all around, especially Kevin Kline and Hayden Christensen. Kevin Kline plays a man who attempts to make amends for disappointments in his own life and in the lives of those he loves. His character, George, renovates his crumbling house and in doing so, he rebuilds his life and restores the moral of those around him. His house becomes a metaphor that represents his emotional well-being and the inverse of his current physical state. Kline and Christensen generate believable and moving father-son tension.

Unfortunately, the script (by Mark Andrus, co-writer of AS GOOD AS IT GETS) creates a story that places the characters in one overly melodramatic scene after another, making the film predictable and reducing the potential impact the acting. LIFE AS A HOUSE is a true melodrama in the purest sense since mood music plays throughout the entire film. The constant music, often the same piece, lessens the impact that the melody may have had, if the work only played during climatic moments.

Although a lot of talent and effort went into the creation of this film, and the acting is superb, LIFE AS A HOUSE is a disappointment. Just a word of warning for those who associate Kline with humor more than drama, this film is very serious and tragic. LIFE AS A HOUSE will start a platform release pattern starting on October 26th.


LISA PICARD IS FAMOUS (PLUS)

Bravo's "Inside the Actor's Studio" meets BEST IN SHOW in this mockumentary about the plight of an actor. LISA PICARD IS FAMOUS takes a wry and poignant look at fame through the eyes of a hopeful actress as she struggles to become a star in the Big Apple. Director/Actor, Griffin Dunne (Actor: AN AMERICAN WEREWOLF IN LONDON and AFTER HOURS, Producer: AFTER HOURS, RUNNING ON EMPTY; Director: ADDICTED TO LOVE and PRACTICAL MAGIC) plays a documentarian named Andrew who believes that Lisa Picard is someone to watch, so he does 24/7. Hoping to gain insight into what drives Lisa Picard and other actors, he follows Lisa Picard to auditions, agency visits, parties, plays, and from room to room in her New York apartment, in hopes of gaining a better understanding of the life of a thespian on the rise. He and the audience also become familiar with her support network which includes her doting boyfriend played by Daniel London and her jealous best friend, played by Nat DeWolf, who hopes that his one-man play will be his break-out film (out as in out of the closet). Throughout the film, the characters and the audience wonder: are they wannabes or future somebodies? One thing is for sure, it is a tough business to be in and even tougher to break into show business.

The filmmakers explore what it means to be famous as they follow the characters in their pursuit of fame. However, the film not only looks at America's obsession with fame, but also at how ambition and tunnel vision can often lead one to lose sight of what really matters like love and friendship. Even though the surface subject matter is about actors, the underlying emotion and human interaction will appeal to non actors.

Well-written and perfectly cast, LISA PICARD IS FAMOUS promises to please people inside and outside of the Biz. The majority of the humor stems from the film's look at humanity more than Hollywood (broader sense of the word to encompass the motion picture and television industry at large). Nat DeWolf and Laura Kirk, co-writers and co-stars, worked diligently with their friend Mira Sorvino (MIGHTY APHRODITE, AT FIRST SIGHT, ROMY & MICHELLE'S HIGH SCHOOL REUNION, BARCELONA and SUMMER OF SAM), who makes her producer debut with this feature, to produce an insiders' film that will also make outsiders laugh. The film also hosts a number of cameos by some prominent figures in the New York film scene including: Mira Sorvino, Buck Henry, Charlie Sheen, Spike Lee, Sandra Bullock, Carrie Fisher, Melissa Gilbert, and Penelope Ann Miller.

If you like movies with a cast who can laugh at themselves, then you will laugh and thoroughly enjoy LISA PICARD IS FAMOUS.

*This movie became a sleeper solely because it ended up in the shadow of the Terrorist Attacks of 9/11. It is worth seeing!

Little Voice (Plus)


"Little Voice" is about a mouse who roared. I wanted to post a review for this film even though it has been out on video for over two years now (a 1998 release) because I do not feel that it received the financial recognition that it deserved. "Little Voice" exemplifies the influence a marketing campaign can have over a film's box office success and appeal to audiences or lack there of...

Jane Horrocks plays a shy young woman with a tremendous talent. "Little Voice", the character, receives her nickname from her overbearing mother due to her soft speaking voice. "Little Voice" the story is about Horrocks' character's ability to escape her mother and other everyday stresses in the real world, by imitating the singing voices of various singers such as Judy Garland and Ethal Merman. When she sings, she is also able to see her dead father, added incentive for her escape from reality to fantasyland. Horrocks gives a stellar performance both as Little Voice and even more so as the incredible performer singing on stage. (I could not believe that she was actually singing. I would almost recommend the film just for people to hear her sing like some of the greatest singers of modern time.) Her mother is played by the same woman who played the birth mother in "Secret and Lies" (another film I would recommend to anyone who enjoys British humor and kitchen sink/working class films). Ewan McGregor plays Little Voice's awkward and equally shy love interest. The entire cast gives convincing and sympathetic performances.

The story is sweet and touching. Audiences will appreciate a tale of the ugly ducking, so to speak, who transforms into a graceful swan on stage. The writer and director (Mark Herman) do a good job of developing the characters and harvesting on-screen chemistry between the characters. The tension between the mother and daughter is very real and identifiable. Herman, the director, works well with his editor to edit a tight film that flows well without any unnecessary scenes.

"Little Voice" is available on video and definitely worth a rental for the acting, especially the remarkable on stage singing impressions done by Jane Horrocks. The story is touching and overall the film flows well. In a nutshell, "Little Voice" exemplifies quaint. I think this film flopped at the box office not for lack of merit, but rather for the challenge it presented to the marketing department at Sony: no action, no big stars, and a story that is difficult to summarize in a 4 minute trailer or 30 second teaser. However, it is an ideal video rental because those who have seen it will give it positive word of mouth. If you have not seen "Little Voice", I definitely recommend renting it. Its selling points (performances and story) are equally enjoyable on tape.

Little Nicky (neutral)


Many may wonder why Adam Sandler makes so much money. Well, I think it is because he meets audience expectations. Apparently, there is a large audience who likes silly antics and screaming comedians, and if you do, you will love "Little Nicky". Adam Sandler plays "Little Nicky", the hunchback from Hell who is mixed up due to his mixed moral heritage (since his mother is an angel and his father is a devil). Sandler also plays the role of co-executive producer, along with Robert Engleman (Executive Producer on "Mystery Men", "Blade", "Kazaam", and "Mortal Kombat"). Furthering his credits, Sandler co-wrote "Little Nicky" with Tim Herlihy who has worked with Sandler before on "Big Daddy", "The Waterboy", "The Wedding Singer", "Billy Madison", "Happy Gilmore" and SATURDAY NIGHT LIVE.

For those who are very religious, some of the humor in "Little Nicky" may be offensively blasphemous similar to last year's "Dogma". However, there are some very funny moments when the various characters have very realistic reactions to some supernatural encounters. I personally found the satanic snoring, the brain child bulldog, and the hell-worshipping head bangers, quite humorous.

"Little Nicky" hosts an all-star cast, who star and make cameo appearances including: Patricia Arquette as Valerie, Nicky first and only love; Harvey Keitel as the Devil and Nicky's father; Rhys Ifans as Adrian, one of Nicky's diabolical brothers; Tommy "Tiny" Lister as Cassius, Nicky's other diabolical brother; Allen Covert as Todd, Nicky's NY City roommate; Reese Witherspoon as Holly, Nicky's angelic mother; Dana Carvey as a corrupt basketball referee; Jon Lovitz as a perverted peeping tom; Michael McKean as the NY City Police Chief; Quentin Tarantino as the blind man who sees evil; Rob Schneider as the "you can do it" Townie; and John Witherspoon as the swindling street vendor. The ensemble of characters assist and challenge Nicky as he tries to save his dad and the residents of New York city from his brothers' scheme to disturb the existing balance of good versus evil by raising a little Hell on earth. As one may expect, they play over-the-top character-types who transform Little Nicky's tour of New York city into an Alice in Wonderland adventure.

"Little Nicky" does have its moments, but they could be easily enjoyed on video. For those who are major fans of Sandler and the rest of the SATURDAY NIGHT LIVE cast from his days on NBC, you will enjoy this film. If you are a big fan of heavy metal music, you will probably have a blast viewing the film more in a theater with a good sound system. "Little Nicky" opens wide in theaters on Friday, November 10th.


LORD OF THE RINGS: FELLOWSHIP OF THE RING (PLUS/NEUTRAL)


I suspect that LORD OF THE RINGS is one of the most anticipated films of the year due to the popularity of the books; if not the first, then the second only to Harry Potter, and the second place would probably only be due to the fact that the Harry Potter books are the current craze as compared to the older J.R.R. Tolkien books that were popular in the 1970s. The film certainly lives up to the epic quality of the series of books.

However, I think that the writer, Frances Walsh, may have been a little too true to the book; the film would have been stronger if the adaptation focused on what would make a strong movie instead of preserving the accuracy of the book. Readers usually do not expect the same level of closure as movie-goers. Readers can put the book down whenever they want without missing a beat; movie-goers will have to have a very unique digestive system to endure the full three hours without a single bio break. People who have or have not read any of the books will appreciate the pace, acting, special effects, and costumes. Even those who have not read the book will find the action somewhat predictable since the film basically consists of a chase scene followed by a battle, once the characters encounter the bad guys; and then the cycle repeats throughout the entire film, until the abrupt ending. Although some may find the number of fight sequences to be a bit too plentiful, bordering formulaic, I commend the filmmakers for not stooping to the level of excessive gratuitous, graphic violence.

The filmmakers prove that an action fantasy film can have a lot of special effects that do not revolve around blood and guts. This is not to say that no one gets hurt, because many characters, both good and bad, do. However, the film maintains a fantasy tone, that makes the deaths and injuries a little more bearable. LORD OF THE RINGS stands up and even surpasses a lot of other action films that lack the imagination of a fantasy based story. The special effects (Sound Department headed by Christopher Boyes, Special Effects headed by Gino Acevedo, and Visual Effects headed by Holly Acton) both visual and audio, heighten the epic quality of the film. The set design by (Set Decoration by Tanea Chapman Costume Design by Ngila Dickson) also contributes to the drama and leaves just enough up to the imagination to increase the suspense and tension.

The cast could not be stronger. The long list of consummate actors includes Elijah Wood, Ian McKellen, Ian Holm, Viggo Mortensen, and cameos by Liv Tyler and Cate Blanchett. This film, like the books, targets males and does not give much depth or importance to the female characters. To a degree the appearances by A-list caliber actresses like Tyler and Blanchett seem to be for mere aesthetic reasons. Although they certainly demonstrate their on-screen presence in terms of beauty, neither has the opportunity to flex her acting muscles (this is true to the book).

LORD OF THE RINGS is a must-see on the big screen and will hit theaters on December 19th. My only criticism would be the abrupt ending. I think many people will feel cheated after sitting through a three-hour race without a finish line. However, purist fans of the book probably will not care.

back to Reviews Directory

back to home